During the second wave of the COVID-19 epidemic, I spent some time in January transferring video footage of jujutsu training from old VHS tapes that had been sitting in a cupboard since 2000. I included a link to one of these videos demonstrating some defences against knife attacks in my earlier post on my martial arts career.
The tapes date back to the 1990s when I was training with the Kokusai Jujutsu Ryu at the Australian National University and the KJR main dojo in Queanbeyan. These were transferred from the original VHS tapes, and so quality is not great. In the following short video, I am demonstrating jujutsu defences against attacks with baton (short stick) in 1995.
The following video was taken during a training session at the ANU Jujutsu Club, Canberra, in 1998. Zoltan Bacskai is attacking with a sword, a Japanese katana. This sword has a sharp blade and its important to control the blade during the defence and throw, not only to avoid injury, but also to avoid cutting the mats. During a national championship a few years earlier, I was too slow avoiding a sword strike and had my throat cut. The cut was not serious, a few centimetres in length and about a mllimetre deep, but it bled freely and certainly impressed the audience.
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Japanese martial arts and the role of Zen in them. Bruce Lee also sparked a huge surge of Western interest in the Asian martial arts with his 1973 film Enter the Dragon. The idea of practicing a martial art was something I could relate to, and in 1974 I enrolled in a lunch-time karate class at the University during my 4th year Physics Honors Year. I was so enthusiastic about karate that I remember being puzzled why others were not joining once they knew about the availability of classes. Over the next two or three years I trained in several karate styles including Goju Ryu, Dioshin Lyanbukan and Kei Shin Kan.
discussing their various purposes and effects, and the relationships between them. This is interesting enough, but his approach to understanding breathwork completely changed my experience of it. He describes the book as an exploration of “sensed energy” and schemes of belief that work best for experiencing, cultivating and manipulating these subtle sensations. In particular, he frames breathwork in terms of the arousal and relaxation of sensed energy.
Mountains and rivers 